we need beauty as well as bread

Over the past year, I have found renewed joy, nourishment, and a profound sense of place in nature. Working in both northern and southern California has put me close to some of the country’s best national parks and I have been grateful for the resources and the time to visit several of them. 

Driving and especially hiking through such varied topography – from giant redwoods to high desert, and seaside cliffs to peaks in the Sierras – has filled me with wonder. I have been humbled by the astounding variety of plants and trees, of landscapes carved from the slow movement of glaciers or the fiery power of a volcanic eruption. The expansiveness of sky and sea has inspired prayers of gratitude. The sound of an ecstatic bird chorus or the twilight gurgle of frogs has motivated me to lift my voice in praise of the Creator.

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and he tells me I am his own

Last spring, I collaborated with mezzo-soprano Kristin Gornstein to present a Mother's Day recital that included two settings of the 19th century Czech poem, Songs My Mother Taught Me.

The poem got me thinking about the songs my mother sang that shaped my musical and spiritual life, and inspired me to compose a piano arrangement of C. Austin Miles' beloved Gospel hymn, In the Garden. Sentimental, yes, but I remember it as one of my favorite lullabies and it's a tune I will always associate with my childhood. The text has also served as an ongoing reminder that I am God's beloved and invited to an intimate, tender relationship with Jesus.

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it came upon a midnight clear

Merry Christmas, friends! 

I've been reharmonizing and improvising on carols over the past years and the latest is this setting of 'It Came Upon a Midnight Clear.' It departs quite a bit from the original setting but I think the unexpected harmonic turns and moving inner lines express this beautiful carol in a new way.

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